[tanka]
a pinwheeling leaf
strikes the watercourse
and floats around the bend
gone forever
do you ever think of me?
a pinwheeling leaf
strikes the watercourse
and floats around the bend
gone forever
do you ever think of me?
For God’s Creation
Grass emerges from the winter snow.
Blades lengthen. Flowers grow.
Trees in the wind sway and sough.
The summer of life is all we know.
Autumn breezes start to blow
and all of life begins to slow.
Brown turf is snuffed in snow.
Life and death come and go.
Clouds roll in over the plain
releasing countless drops of rain.
Water flows in the seaward drain
only to rise once again.
The wheel of water is an endless chain,
an infinite loop of wax and wane.
The land upholds loss and gain,
but land itself cannot sustain.
Dust is scattered, dust restored.
Not even the land can say: Never!
For children of light who love the Lord,
the wheel of water is a passing pleasure.
We praise creation with one accord
and promise to save this tender treasure.
The children of light love the Lord
and the love of the Lord lasts forever.
NOTE: This is one of the poems I wrote for the liturgical cycle. It was for Sunday, June 7, 2020 (Trinity Sunday), and the scripture was the opening of Genesis. I set these words to music. The St. John’s Episcopal Church choir will be singing it this coming Sunday as a celebration of Earth Day. The tune is ‘Blaenwern’ written by William Penfro Rowlands in 1905.
John 15:9-17
Above all, love is seen in the love
of the Father. When we click on the word Father,
it opens on the Father’s love for the Son.
When we click on the word Son,
it opens on the Son’s declaration
that he shows his love for the world
by laying down his life for his friends.
When we click on the word friends,
we learn they are friends of the Son
for as long as they follow the commands
of the Father to love one another.
Reading the unfolding message
of the Gospel of John
is an endless explosion and expansion
of hyperlinks where all words
are interconnected and self-referential,
summed in the seamless command of love.
Historians lust for great events,
the violent one percent,
so nothing happens nearly every year.
Stamford Bridge and Hastings stretched a month;
whatever happened years before
or since that raven glut?
For each combatant, hundreds more
were not involved, as Norseman, Norman, Celt
and Saxon plowed the green
or toiled the cold Atlantic,
gave birth in perishing huts or softly sang
for children alliterative lullabies.
NOTE: I wrote the following poem a few days after Russia invaded Ukraine in February 2022. President Vladimir Putin and Patriarch Kirill I, the leader of the Moscow-based Russian Orthodox Church, claim they are waging a Christian holy war in Ukraine. Their claim is the very opposite of the teachings of Jesus. War is NOT the answer.
Look down on the Great Plain of Esdraelon
from the hilltop at Nazareth. History is written in blood.
Deborah and Barak routed the kings of Canaan
at Taanach by the waters of Megiddo. The torrent Kishon
purged the Canaanites. Josiah was slain by the forces
of Pharaoh Neco at Megiddo. Saul and his sons
were decapitated after battle with the Philistines.
At Jezreel, Jehu killed Jehoram and Ahaziah
and, following that, he slaughtered all their men
and all the prophets of Baal. Then he turned
to Jezebel. He ordered his men to throw her
to her death from the palace window where she was eaten
by ravenous dogs. But Jehu wasn’t done!
He hunted down and killed all the royal princes
and had their heads displayed at his command.
Jehu invited the worshippers of Baal to come
to a ceremony, then trapped and murdered them all.
He converted the Temple of Baal into a latrine.
Thousands of ordinary men were killed or maimed
because ambitious kings invoked the deity.
The arms of the survivors were weary from all the decapitations.
Kishon is a winding river of entrapment and slaughter.
The Plain of Esdraelon is a place of tragedy and war.
The oldest scriptures record such sacralized violence
by men. To credit God is the brief of the nihilist.
Of all my days to middle age,
you gave me less than ten.
So little time
from moon to rising moon.
A meteor flared and fell
on an August night
now thirty winters dead.
The lingering light:
for that I give you thanks.
the hard-breathing trout
explaining death
to a child
NOTE: This is a true story. When our son Matthew was eight years old, I took him fishing for the first time. I had to explain what happens to the trout after it is caught. It was a lightbulb moment for him.
Matthew celebrated his 53rd birthday three days ago.
∞
Under a raspberry haze, row after row
of the smooth-sanded hills of the Coast Range
compress into a flat two-dimensional view.
Except for the accidental live oak here
and there, bare grassland is all I see.
Telescoped ridgelines are like art-paper cutouts
stacked on a canvas: the lowest are khaki tan;
the highest in the back are on the brown edge of black.
Only the silhouette of the topmost ridge remains
at the coming of night. Unchallenged by city lights,
a tsunami of stars washes over the world.
The ancients called it ekstasis,
or outside oneself.
But does that really happen?
Are we ever outside ourselves?
Lovers do not live in time—
coitus, and then a shift in focus:
the clock starts…
Glint of sun off a jumbo jet
turning to the south…
jet noise morphing into chattering birds…
the salt taste of pure joy
while body surfing…
the old man stroking the smooth bark
of the curbside tree he used to climb…
Not one of these experiences
stands apart from me,
outside of myself.
Nor do I stand apart from the not-me.
I am a cell-sized component
of the whole body of all creatures,
organic and inorganic, in the cosmos.
In his soft-spoken, conspiratorial voice
he told me his name,
but it flew in one ear
and out the other
and I failed to ask again.
To this day he is: my Iranian gentleman.
His jackets were a blend of wool
and cigarette smoke.
Occasionally, he gave me a hint
of yesterday’s cocktail.
He was a determined reader of books
in English and Farsi—
books about Kissinger, the Shah,
Mohammed Mosaddeq, Iraq,
and, of course, Iran,
the headwaters of every sadness.
Saucer eyes flickered
behind tortoise-shell glasses.
Whip-thin, he looked taller than he was.
With a full head of hair
not yet entirely gray,
he was once a handsome man.
Once he was a man of importance,
a corporate lawyer in Tehran
until the students drove him out.
Now he works at the EPA.
I could not get him started
on the law or the environment.
His only public passion: Iran
and what America should do about Iran.
Three daughters in Qom,
an ex-wife somewhere,
a lost career—
the man was lonely
and wanted to go home.
I ride a different bus now.
I did not expect to miss him,
but I do.
So much fruit beneath the husk
of political grievances
was never shared—
his daughters,
his youth at university,
Persian history and culture,
adjusting to American life.
Strangers on the bus
are best kept that way.
I do not like to show my cards.
But this option for a healing friendship
slipped away to my regret.
NOTE: I wrote this in 2004 when I was working in Bethesda, MD.
deep grasses choke
the broad path
we used to walk
our past is lost
in a seamless field of green
Change, development, and growth
is everywhere we look
in academics, the business world,
science and technology,
in music, the arts, in history,
and in our own evolution from youth to old age.
We think nothing of it!
And yet, persistently, we are asked to believe
humankind is created in the image of God
of which the image of God
is an Aristotelian unmoved mover
eternally unchanging, remote, and judgmental.
Does that make sense?
If we are created in the likeness of God
and we swim in a stew of change
where nothing is static,
why are we likened to an unmoved mover
and not to a dynamic wellspring of spirit?
NOTE: “Circle of Love” is one of my poems for choir. The words are set to Handel’s “See, The Conquering Hero Comes!” Play this music and sing along: https://www.youtube.com/watch?v=8p1BedwyFKY.
We offer communion to a weary world in pain.
We share our bread and wine with the troubled world again.
Welcome to the stranger who seeks to be our guest.
All God’s children are sacred; every child is blessed.
Communion offers hope when the future is dark with doubt
when women and men believe there is no way out.
Come share with us the healing power of love
where the blessed spirit is descending like a dove.
We offer communion to a weary world in pain.
We share our bread and wine with the troubled world again.
Come, neighbor, come and join our circle of love
where the love of neighbor mimics heaven above.
Love of God and neighbor is all you need to know.
Our circle of love remains wherever you may go.
We offer communion to a weary world in pain.
We share our bread and wine with the troubled world again.
Melody: Handel: Judas Maccabaeus HWV 63 / Part 3 – 58. “See, The Conquering Hero Comes!”
• Main melody lines 1-2, 3-4, and 7-8 both stanzas
• Secondary melody lines 5-6 both stanzas
• Key: G major
Cadence: stately (not fast)